Having grown up in Sydney’s innerwest during the 1970’s and 1980’s, I was privy to the developing graffiti scene around me. Initially, it was tags around train stations, on trains and around the industrial areas that were experiencing a decline.
I lived up the road from the Pye Television factory during my childhood. This was the first factory that my mother worked in when we arrived to Australia. She was in the production line, putting together television sets. However, that factory shut down leaving the building uninhabited for the many years that I lived there. All the kids in the neighbourhood were curious about the empty factory buildings and we would ride our bikes to them to have a peek in to see what we could see. The same street had lines of factories shutting down and becoming empty shells. This was Marrickville South, also called ‘The Warren’.
The Warren, bordered the suburb of Tempe. The division between the two suburbs was marked by a train line. On the Tempe side was a cliff edge, a great big blank wall of concrete, with housing up the top. On the Marrickville side were the industrial buildings. This became the face of graffiti in the area. As I remember, it started with tags and then tags started to transform to larger pieces on these walls bordering the train line. Watching the transition always fascinated me and continues to do so….
That was a long time ago… since then the transitions have continued and my fascination has intensified. This is the reason I started documenting art on the streets. I love watching the changes. I revisit places continuously to observe changes. Now my observations are not only with the eye, but with photographs to document the changes. I sometimes focus on the changes that are a result of different lighting, other times it’s the changes as a result of the elements weathering the art, or art being capped, buffed, tagged over and so forth.
However, there is one piece in Fitzroy North that has captivated me with the interactive changes and evolution over the course of a few months. It is the three dimensional Be Free artwork installed on a side wall of a cafe. I love this piece and many times over the past few months elements have disappeared, it has been added to, taken away from and then added to again. The natural elements of greenery have started to grow and weathering of the artwork has appeared too. The following photos are in chronological order demonstrating the evolution of this artwork as I have photographed over the course of this year.