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Category Archives: 029 ~ [Unassigned]

Tales from the sketchbook an exhibition by Barek

offthekerb

Barek is really quite an extraordinary artist. Today, I spent some time having a preview and a chat, at Off The Kerb Gallery  with Barek and Shini, the director of the gallery. Barek’s first exhibition in Melbourne called ‘Tales from the sketchbook’ will open on 17th October, 2014 at Off the Kerb and is just wonderful.

Barek’s art is recognisable by his signature character drawings. His drawings often depict a similar face, including the Barek eyes and round face. Yet, in this face, emotion is captured that invokes a certain empathy. This is how I came to the works of Barek, and still understand the art of Barek, personally.

Speaking to the director of Off the Kerb, I realised that there is a word that captures some of the feeling, and it is my favourite word; Melancholy. We held a shared understanding of melancholy as a beautiful concept. It can’t be universally defined, yet it invokes empathy. This empathy speaks to something we know, feel or have experienced. It is difficult to understand yet easy to feel.

Tales from the sketchbook

opening 17th October, 2014

6pm

at Off the Kerb Gallery

66B Johnstone street, Collingwood

Barek window

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Posted by on October 16, 2014 in 029 ~ [Unassigned]

 

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Review ~ Woman’s World: a graphic novel

Woman’s World: a graphic novel
By Graham Rawle
Atlantic Books London, 2005
ISBN: 9781843543688

Transitioning from reading for study purposes to reading for leisure has been a challenge these past few months and it has taken time to move into the world of fiction and reading for fun. However, Woman’s World is the first read that I have enjoyed.

Woman’s World is constructed entirely with found text from women’s magazines in the 1960’s. The author wrote the outline of the story and over five years replaced his written outline with text found and cut out from magazines. The author used a traditional cut and paste method to create the pages that were then scanned to make the final work.

This technique, in constructing a story, initially drew me to this novel. I was curious as to how it would read and whether it would work effectively without being disjointed. I wondered about the content of women’s magazines, from a particular time period, and whether it would create a context and culturally shape the world of the fiction created.

This method of constructing a novel, from text found in women’s magazines in the 1960’s, added to the layers of the story in a way I hadn’t considered. References to clothing, appearance and cleaning added meaning to the plot and contributed to character development and interactions.

With found text Rawle has created a work that captures the world of these magazines and a world of the characters in this novel. As ‘he do the police in a differnt voice’, a blogpost on IF: the future of books states “Rawle stitches phrases and words together to create something new’.

I didn’t know anything about the story before I started reading and I was pleasantly surprised with the ease I felt in losing myself in the storying. Suspense came into play and the emotional journeys took shape. My consciousness of the text from women’s magazines, was strongly present throughout my reading but this did not detract from the storying. Instead it proved crucial to the overall development enhancing the reading of the novel.

…I will not share the plot here as the thriller moments are best discovered by oneself. Enjoy.

 
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Posted by on August 31, 2014 in 029 ~ [Unassigned]

 

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An Audiovisual notepad

It started with Vine and the six second loops. This quickly led to experimentation and unleashed creativity with the limitations imposed by the Vine app.

This progressed to edited clips, uploaded to Instagram, and seeking out post-production apps. Whilst hoping Final Cut Pro will one day feature in the app store, this has not materialised and Cute Cut Pro has worked quite well.

I still refuse to upload post-produced clips to Vine, even though the ability to do so has been enabled with updated versions of the app. Maybe it’s the limitations that I actually enjoy as a creative process.

Over the past year my interest in making videos with mobile technology has intensified…
Now I just keep sketching or shooting clips even if only in the short mode style. In fact, I haven’t bothered with my old cameras or desktop editing with Final Cut Pro. It’s been over a year now. As time passes I’m less and less interested in venturing back because I love the freedom of creating wherever and whenever. If it can’t be created with mobile technology then I don’t bother.

Upon reflection, this process has become an audiovisual creative notepad of sorts. I play with ideas, experiment and share. Some ideas seem to spark an interest in me and call for further development whilst others are just a moment fleeting. There are a few ideas from this audiovisual notepad that I want to flesh out and develop into short films and animations but of course this will take time and involve more writing and sketching.

Right now this process works for me and suits me just fine.

As an extension, I’m enjoying passing the inspiration of this process to other animators/filmmakers and colleagues at my workplace. It’s the new democratisation of media production.

Here’s a brief ‘How to’ clip I found on the inter webs about Cute Cut Pro

 
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Posted by on July 16, 2014 in 029 ~ [Unassigned]

 

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ROA in Melbourne: a personal appreciation

ROA in Melbourne: a personal appreciation

I find the work of the artist ROA quite inspiring and have enjoyed being exposed to his artwork on the international streets as shared via social media such as Instagram that can be viewed at #roa. You can also view ROA artwork here. Whilst I marvel at the amazing murals and beautiful depictions of animals, I have never seen a work by ROA outside the virtual world of sharing. Then I discovered that ROA was coming to Melbourne and exhibiting at Backwoods Gallery in Collingwood. To say I was excited is an understatement and the anticipation started to rise exponentially.

ROA has been in Melbourne for over a month now and, in that time, he has painted murals at Healesville Sanctuary as can be viewed at Streetart news; that I am yet to see. More painting by ROA at Healesville will be happening in the coming week and I am hoping to visit soon and capture the works in person.

The inspiration for this exhibition comes from the local wildlife, places and materials scavenged from abandoned places. I have discovered that this is a process of ROA at every place he visits. He embeds his experience in the local and draws inspiration from what he finds. This includes the animals of the local area and the materials found on which to create artworks.

I had been warned, as a vegetarian, I would find his work intensely confronting. However, beyond the smell of decay, that hits you as soon as you stumble into the driveway of Backwoods gallery, I found the experience of this exhibition to be a celebration of the life of animals and survival despite the destructive force of humans. Paying homage to the cycles of life and death present an acceptance and love of the animal as a being. I didn’t find this exhibition confronting and left with an intense respect for the artist and his work.

My personal reflections, and response to the work of ROA, suggest the capacity of human destruction is envisioned in our disdain of the existence of animals, their life, death and decay. In presenting the totality of cycle, the appreciation of animal existence and survival is intensified. His work captures the outside and inside. The experience is interactive as the artworks on salvaged materials produce canvasses that are constructed where you can open doors to reveal the inner parts of the animal depicted on the outer canvas. Similar to a lift the flap experience when reading a children’s book yet imminently superior. Learning that ROA is also a Zoologist adds further insight to his work and appreciation of animals.

The exhibition will be on till the 16th of December and they have a few filming projects happening to capture the transformation occuring during that time. As I’m leaving Melbourne on the 10th for a road trip, I won’t be able to go back and experience the level of the transformation that occurs and I can only imagine the smell.

The artwork will continue through time even when the decay of life is long gone.

Below are a series of pictures from my visit and a great video clip of ROA painting at an abandonded hospital in France.

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PORTRAIT Enter the world of ROA from THE MOUARF on Vimeo.

 
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Posted by on December 1, 2012 in 029 ~ [Unassigned], 994 ~ Australia

 

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Haiku Bird for Free Art Friday

wings outstretched I fly

touching the sky in moments

feeling inspired

Haiku Bird being set free

Melbourne has joined other cities from around the world participating in Free Art Friday and started Free Art Friday Melbourne. I have decided to participate with a Haiku bird.

Each week I will make one bird and write one haiku to be set free in a public space for someone to find. I am combining my love of poetry and writing with my love of making.

The location of the my Haiku birds will be revealed each Friday on my Facebook page and via my Instagram. Hopefully, when someone finds the haiku bird they will post a picture and message me via Facebook, Instagram or both.

This is my first Haiku bird being released with the Haiku underneath the bird. Below are a couple of progress shots.

Haiku Bird

 
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Posted by on November 22, 2012 in 029 ~ [Unassigned]

 

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Puppetry inspiration

This past year has been hectic, with deadlines for assessments, especially as I studied a WISE subject via San Jose State University. This meant there were no breaks between semesters, and often I was working endlessly to meet assignment deadlines. All I could do was forge ahead and not think about it too much… My only respite, to the assignment madness, were my streetart photographic adventures; shared mostly via Instagram.

So… what do you do when your study deadlines slow down and give you some breathing space? Engage your creativity of course, and revisit some past passion. This is just what I did with puppetry.

Luckily, Barek an artist from Brisbane announced a competition via Instagram titled #makemeabarek. The competition was run via Facebook and as my account had been inactive for a significant time, I had to reactivate to participate. What was involved was creating a character and including the signature Barek eyes.

I have never been able to complete a puppet in such a short time-frame but decided to give it a shot. Working collaboratively, with my partner we lost sleep and kept at it until we realised the day before that we were going to meet the deadline… Yippee!

Not only did we meet the deadline but our character was the winner! For our joyful effort we have an original
Barek artwork on the way… WOW!

Apart from the sheer joy of working on puppets again, I’ve enjoyed dipping my toes into Facebook and finding some of the talented artists I admire there too. I had been somewhat resistant of Facebook for quite some time but not any longer.

Following are some photos of the puppet entry. The inspiration for the puppet technique is Japanese Bunraku puppetry, although we have modified the actual technique and the puppet will be operated by two people without the strict adherence to the traditional form. The scenery is inspired by the talented Melbourne based artist Suki.

I’m now working on another character and hope to create a short video demonstrating the puppets. Stay tuned 🙂

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When a library is hit by a yarn storm…

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Once upon a time a yarn storm hit the suburb of Coburg in Melbourne resulting in Victoria street mall being adorned with yarn bombs everywhere. Such a pleasure to walk through the mall and observe the tactile interaction of passers by. It is difficult to not smile and feel fuzzy. It was interesting to observe people walking by, stopping and tidying doilies that appeared to have moved out of place…

This project was was funded by Moreland city council and enacted by Moreland libraries. Always a pleasure to see creative engagement with community.

The following photo provides more detail of Wild and Woolly. The photos that follow are just a touch of the numerous examples of the wonderful work.

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Posted by on July 4, 2012 in 029 ~ [Unassigned]

 

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