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Analog/digital photography hack

This morning a friend forwarded the following clip. The possibilities started racing in my mind. I love analog photography and have some old SLR’s hanging around awaiting a revival.

Recently, I’ve been thinking about getting back to the chemical process and developing film. However, whilst I have the tools and ability to develop film to negatives, I don’t have an enlarger to then take the next step and print the film. I also have numerous negatives, that have been sitting around in storage, awaiting a form of revival….

… Let’s get creative and imagine the analog/digital possibilities with the following simple hack… I do need to buy new Asics though  ;)

 

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New Years Resolution – Goodbye Facebook

I’ve been in a love-hate relationship with Facebook from the moment I joined the site in September, 2011. In fact, I was avoiding Facebook for years but succumbed to the relationship. My favourite features of Facebook are the events calender and the private messaging function. I enjoy some connections I have made, the ability to share content and engage in conversation. However, I dislike a great deal about Facebook and my dislike of this social media platform is growing. This Pew research study in the USA indicates many people share this attitude.

I have shared posts to Facebook specifically pointing out what’s wrong with this social media behemoth. In reality, I’m continually reaffirming my need to finally leave. There are many reasons to dislike Facebook. Some include privacy concerns, unethical studies, and the use of personal information for corporate gains . In recent times, I’ve noticed my feed became more and more controlled by Facebook in terms of what I see. My diminishing control over my feed provides even more reason to leave. After all, who wants to continue in a relationship that feels controlling?

I can’t help but liken this social media platform, that is Facebook, to the monopoly/duopoly control of traditional media platforms before the internet. Remember when you couldn’t control when ad breaks came on or what program to view because it was all programmed for you?

I have taken a break, for a couple of months, in the past and didn’t miss my time away. However, I came back again, took more mini breaks here and there and kept coming back. It seems, attempts to disengage haven’t been successful and I’ve been a glutton for this love-hate relationship. This gluttony needs to end and my focus will be the exit strategy as a New Years resolution.

To affirm my commitment, to breaking up with Facebook, I’ve had discussions with close friends who took the plunge and left successfully. Two of my close friends have been away from Facebook for over a year and touted the benefits of leaving, including how easy it is to stay away. Considering I took the plunge with Television, years ago, and rarely watch it now, it’s time for me to break up with Facebook.

Besides, I’m already engaged across other social media platforms and they don’t elicit these feelings of the love-hate relationship that is Facebook.

Here are a few articles for more inspiration and to remind me, over the next two months, why leaving Facecrack is the best decision to make.

1. 10 reasons to leave Facebook.

2. 10 ways leaving Facebook changed my life.

3. Teens exlplain why they don’t care about Facebook anymore.

4. How to permanently delete a Facebook account

5 How to delete your Facebook account

 

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Tales from the sketchbook an exhibition by Barek

offthekerb

Barek is really quite an extraordinary artist. Today, I spent some time having a preview and a chat, at Off The Kerb Gallery  with Barek and Shini, the director of the gallery. Barek’s first exhibition in Melbourne called ‘Tales from the sketchbook’ will open on 17th October, 2014 at Off the Kerb and is just wonderful.

Barek’s art is recognisable by his signature character drawings. His drawings often depict a similar face, including the Barek eyes and round face. Yet, in this face, emotion is captured that invokes a certain empathy. This is how I came to the works of Barek, and still understand the art of Barek, personally.

Speaking to the director of Off the Kerb, I realised that there is a word that captures some of the feeling, and it is my favourite word; Melancholy. We held a shared understanding of melancholy as a beautiful concept. It can’t be universally defined, yet it invokes empathy. This empathy speaks to something we know, feel or have experienced. It is difficult to understand yet easy to feel.

Tales from the sketchbook

opening 17th October, 2014

6pm

at Off the Kerb Gallery

66B Johnstone street, Collingwood

Barek window

 
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Posted by on October 16, 2014 in 029 ~ [Unassigned]

 

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Review ~ Woman’s World: a graphic novel

Woman’s World: a graphic novel
By Graham Rawle
Atlantic Books London, 2005
ISBN: 9781843543688

Transitioning from reading for study purposes to reading for leisure has been a challenge these past few months and it has taken time to move into the world of fiction and reading for fun. However, Woman’s World is the first read that I have enjoyed.

Woman’s World is constructed entirely with found text from women’s magazines in the 1960’s. The author wrote the outline of the story and over five years replaced his written outline with text found and cut out from magazines. The author used a traditional cut and paste method to create the pages that were then scanned to make the final work.

This technique, in constructing a story, initially drew me to this novel. I was curious as to how it would read and whether it would work effectively without being disjointed. I wondered about the content of women’s magazines, from a particular time period, and whether it would create a context and culturally shape the world of the fiction created.

This method of constructing a novel, from text found in women’s magazines in the 1960’s, added to the layers of the story in a way I hadn’t considered. References to clothing, appearance and cleaning added meaning to the plot and contributed to character development and interactions.

With found text Rawle has created a work that captures the world of these magazines and a world of the characters in this novel. As ‘he do the police in a differnt voice’, a blogpost on IF: the future of books states “Rawle stitches phrases and words together to create something new’.

I didn’t know anything about the story before I started reading and I was pleasantly surprised with the ease I felt in losing myself in the storying. Suspense came into play and the emotional journeys took shape. My consciousness of the text from women’s magazines, was strongly present throughout my reading but this did not detract from the storying. Instead it proved crucial to the overall development enhancing the reading of the novel.

…I will not share the plot here as the thriller moments are best discovered by oneself. Enjoy.

 
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Posted by on August 31, 2014 in 029 ~ [Unassigned]

 

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An Audiovisual notepad

It started with Vine and the six second loops. This quickly led to experimentation and unleashed creativity with the limitations imposed by the Vine app.

This progressed to edited clips, uploaded to Instagram, and seeking out post-production apps. Whilst hoping Final Cut Pro will one day feature in the app store, this has not materialised and Cute Cut Pro has worked quite well.

I still refuse to upload post-produced clips to Vine, even though the ability to do so has been enabled with updated versions of the app. Maybe it’s the limitations that I actually enjoy as a creative process.

Over the past year my interest in making videos with mobile technology has intensified…
Now I just keep sketching or shooting clips even if only in the short mode style. In fact, I haven’t bothered with my old cameras or desktop editing with Final Cut Pro. It’s been over a year now. As time passes I’m less and less interested in venturing back because I love the freedom of creating wherever and whenever. If it can’t be created with mobile technology then I don’t bother.

Upon reflection, this process has become an audiovisual creative notepad of sorts. I play with ideas, experiment and share. Some ideas seem to spark an interest in me and call for further development whilst others are just a moment fleeting. There are a few ideas from this audiovisual notepad that I want to flesh out and develop into short films and animations but of course this will take time and involve more writing and sketching.

Right now this process works for me and suits me just fine.

As an extension, I’m enjoying passing the inspiration of this process to other animators/filmmakers and colleagues at my workplace. It’s the new democratisation of media production.

Here’s a brief ‘How to’ clip I found on the inter webs about Cute Cut Pro

 
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Posted by on July 16, 2014 in 029 ~ [Unassigned]

 

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Let’s talk about racist jokes

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Chris Lilley’s latest offering has been aired on television and the result has been a backlash on social media with the hashtags #MyNameIsNOTJonah  #ChangeStartsHere and #ProudPoly. See the the following article for a background ~ Chris Lilley facing social media backlash over ‘racist’ Jonah From Tonga.

Firstly, I need to state, I support the challenge being made by people questioning the representation presented by Chris Lilley. Australia has a long history of comedy where people from a class of privilege are making fun of people from backgrounds of which they do not come from. Think of the Comedy Company, for instance, on air from 1988 to 1990 and the infamous character of Con the Fruiterer.

The polemics around this issue are important and further discussion around issues of representation, who creates representation and what meanings are imbued in these representations are pivotal to understanding how power and racism are intertwined and reinforced with stereotypes as represented by people who are not from these backgrounds.

Not being from the background is a crucial point in this discussion. You see, when I’m sitting around having a yarn with my cousins and joking about ‘our wog life’, this is very different to when a ‘whitefella’ uses the term ‘wog’ in his/her jokes. My cousins and I are proud of our backgrounds and our jokes are not imbued with a malice or derision of our ways. Instead there is an affectionate understanding of what it means to grow up in this country from a specific vantage point.

The invocation of stereotypes, by people who are not of that background, comes with a derision and malice. The tone of these representations is a put-down. Essentially, it is a position that looks down on the ‘other’, something to be ridiculed and laughed at. It comes from a position of superiority, by the class representing the ‘other’, and reinforces concepts of erasure of cultural identity whilst preferencing ideas of integration. Racist jokes end up being statements to the ‘other’ that we should become more like the dominant class and culture because they are better.

…ok so this is a start. Let’s begin… let’s talk about race and racism in all it’s manifestations because talking about it is better than pretending it doesn’t exist…

 

 

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A break from social media ~ reflection

After I took a week off from social media, one of the first posts I came across on Facebook contained this video. The post was followed with a series of comments about the use of phones and our loss of connection with being ‘in the moment’. Prior to my break from social media, I would have agreed that the phone is the issue but after my self-imposed break, I discovered that without the lure of social media, I rarely reached for the phone. Instead, the phone lay dormant on the table attached to the charger for hours. My break from social media, indicated it was the lure of social connection and interaction that kept that phone close at hand.

I have come across a few articles recently, debating the negatives and positives of social media. One article highlight’s narcissism, and self PR campaigns, in the individual use of social media as a misconstrued need to display a sense of constant awesomeness. On the other hand, this debate in the New York Times points to the virtues of access to an audience, self publishing and instant interaction as presenting opportunities for individual growth.

Interestingly, being without social media is not all positive, just as being constantly connected is not all positive. A friend (from my social media world) joined me in my mission to abstain from social media for a week and we shared insights about the experience via SMS. He shared this article ‘I’m still here: back online after a year without the internet’. What is interesting in this article is how the writer chronicles his personal experience of taking a year off the internet concluding that the positive/negative divide is not straight forward.

I decided to switch off social media for a week, beginning just two days before New Years Eve 2013. Celebratory times often attract increased posting, so it was going to be a challenge. The decision was spontaneous and partly based around my perception that my contributions were tired and felt somewhat laboured in the month of December. You see, I had been online since the end of 2011 diving into many social media apps including; Instagram, Facebook, Momentage, Backspaces, Twitter, Vine, Picyou, Eyeem, taada, Streamzoo, Wattpad, lightt, Tumblr, WordPress, Blogger, Pheed, Scoop.it…

and the list goes on…..

The majority of these apps were a process of trialling for evaluation purposes, so my presence was short lived. However, my presence on Twitter, Instagram, Facebook and Vine have been constant. I’m not certain how much time I spent online with my phone, but it was definitely daily and on all four platforms. I would check each app every morning and participate in conversations, contribute content, check events, click on posted links and read/view content shared, read collated stories from Zite, share to targeted and appropriate social networks and so on and so forth… I’m pretty sure that was just two hours in the morning. I haven’t calculated time throughout the day nor the relax time after the evening meal when the kids are in bed… To say the least, four hours of online engagement may be an underestimate….. if I was being honest… (jaw dropping to the floor in realisation!)

I was feeling socially exhausted and needed to retreat, to think and refresh. The need to question the value of my contributions, the purpose, my connections and interactions seemed quite strong both online and in real life. Even with interactions IRL (in real life) I often feel the need to retreat and gather strength so that I can be social again. I suppose the virtual world had reached that point too.

Without social media, it became apparent quickly how few my connections are. SMS, email and phone are definitely much less active and interactions come from fewer people. The world felt somewhat silent. On a positive note, I relaxed more and just took time out. I even finished a novel in one night (it was a short novel). My time with my kids was less interrupted and seemed more positive. More than anything, my kids loved how unhurried I appeared. As a qualifier, this was the holiday time so relaxation was on the menu regardless. I actually started to feel relaxed and recharged too.

I found my thought processes seemed less hurried and distracted. I could think about what ‘it’ is about social media that is positive and consider the benefits of social networks online. I certainly missed my interactions and conversations with people that I connected with online and was looking forward to the time I could interact again. I discovered finding articles of interest, with no-one to share, made the conversation and knowledge construction seem far less interesting and rewarding without the social media platforms.

Without social media, the web is very static. Just reading articles and not contributing to conversation and adding to knowledge is something I tire from quickly. I suppose, knowledge is constructive and involves conversation. Social media has enabled this. With the networks that are formed, based around communities of interest, we are able to obtain various insights and access to information that is pertinent to specific interest areas. This helps to build on our thoughts, triggering connections with ideas we have come across and prompting further sharing and knowledge construction. In my social media networks, my communities of interest have developed around street art, writing, information access, arts, filmmaking and activism. With these areas I’ve connected with groups and conversations specific to these areas. Not all the people I connect with are connected with each other. Instead communities exist as various circles of interest that sometimes intersect but mostly remain distinct. Ultimately, this is what I view as a positive aspect of social media alongside the possibility of extending online relationships to real life relationships and vice versa.

So in 2014, one of my key resolutions is to increase my collaborative creative efforts with people from my social media world with a focus on improving both online and ‘in real life’ interactions. It is this aspect of social media, over the past couple of years, that has provided the most rewarding experiences. Clearly, this is the ultimate positive enablement of virtual communities.

Another resolution is to take breaks from social media. After a week’s break, I came back feeling refreshed, filled with ideas and wanting to contribute again. I’ve identified social interaction in the virtual world as no different to social interaction IRL, in terms of the need for retreat to replenish… in my case anyway. Just as I need a break to recharge IRL I also need this in the virtual world. Otherwise, I start feeling exhausted and unable to contribute.

 

 

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